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Sofia's Diary

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Nuno Bernardo: How to make your Audience part of your New Drama

The creator of Sofia’s Diary (photo) tells how his team engaged with this and other social shows' fans, keeping the characters 'alive' beyond the episodes. Take note!

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Jesse Cleverly

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Jesse Cleverly: What if YouTube was the future for TV producers?

Welcoming Connective Media's CEO to MIPBlog! Here, he wonders whether digital channels could be content makers' saviours...

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Simon Staffans

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Simon Staffans: Five Golden Rules for Format Pitching Success

Media City Finland format developer Staffans' advice for budding MIPFormats Pitch contestants. Take note!

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Eurodata Fiction white paper

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Scripted series worldwide: Trends & hits in fiction – exclusive white paper

A data-rich overview of what's hot in fiction right now, by Eurodata TV Worldwide. Essential reading!

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Moshi Monsters

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MIPBlog’s top 10 posts of 2011

Stars, trans- & cross-media creativity, kids’ and branded content all topped the bill in 2011. Key pointers for the year ahead!

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Digital Comedy Lab

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Nuno Bernardo: How to use Transmedia to develop a Comedy project

The creator of the recently-launched development & production fund Digital Comedy Lab explains how to use transmedia strategies to develop and market a comedy show

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Bluefin GOP debate

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Social media analysis: TV’s next revolution?

Bluefin Labs painstakingly tracks all conversations about US TV shows. The results are incredibly useful for producers, broadcasters and brands

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EMOTIV

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Simon Staffans: Knowing your audience… And their thoughts

What if mind-reading, and other similarly advanced technology, was the best way to tailor TV to viewers' desires? Media City Finland's Staffans investigates

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MIPCOM Tweet Up 1

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MIPCOM Tweet Up: the photos!

There's a first time for everything :) The first ever MIP Tweet Up gathered MIPCOM's most active tweeters for drinks on the show's Tuesday evening. Look!

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Nuno Bernardo

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Nuno Bernardo: Financing Transmedia

The creator of social media TV series Sofia's Diary, Flatmates & Final Punishment on finding money for Transmedia projects

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